What Ever Happened to Baby Jane? is a 1962 American psychological horror thriller film directed and produced by Robert Aldrich, from a screenplay by Lukas Heller, based on the 1960 novel of the same name by Henry Farrell. The film stars Bette Davis and Joan Crawford, and features the major film debut of Victor Buono. It follows an aging former child star tormenting her paraplegic sister, a former film star, in an old Hollywood mansion.[4]
What Ever Happened to Baby Jane? was released in theaters in the United States on October 31, 1962, by Warner Bros. Pictures. The film was met with critical acclaim and was a box office success. It was nominated for five Academy Awards and won one for Best Costume Design, Black-and-White, with Davis receiving her tenth and final nomination for Best Actress.
The alleged bitter Hollywood rivalry between the film’s two stars, Davis and Crawford, was pivotal to the film’s initial success.[5] This in part led to the revitalization of the careers of the two stars. In the years after release, critics continued to acclaim the film for its psychologically driven black comedy, camp, and creation of the psycho-biddy subgenre.[5][6] The film’s novel and controversial plot meant that it originally received an X rating in the U.K.[1] Because of the appeal of the film’s stars, Dave Itzkoff in The New York Times has identified it as being a “cult classic”.[7]
In 2003, the character of Baby Jane Hudson was ranked No. 44 on the American Film Institute’s list of the 50 Best Villains of American Cinema.[8]
In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.[9]
In 1917, “Baby Jane” Hudson is a spoiled and capricious child actress who performs in vaudeville theaters across the country with her father, who acts as her manager and accompanies her on stage on the piano. Her success is such that a line of porcelain dolls is made in her image. Meanwhile, her shy older sister Blanche lives in her shadow and is treated with contempt by the haughty Jane.
As the sisters pass adolescence, their situations undergo a reversal; Jane’s style of performing falls out of fashion, and her career declines as she descends into alcoholism, while Blanche becomes an acclaimed Hollywood actress. Mindful of a promise made to their mother, Blanche attempts to maintain a semblance of a career for Jane, going as far as to prevail on producers to guarantee acting roles for her. One evening in 1935, Blanche’s career is cut short when she is paralyzed from the waist down in a mysterious car accident that is unofficially blamed on Jane, who is found three days later in a drunken stupor.
By 1962, Blanche and Jane are living together in a mansion purchased with Blanche’s film earnings. Blanche’s mobility is limited due to her reliance on a wheelchair and the lack of an elevator to her upstairs bedroom. Jane, psychotic and resentful of Blanche’s success, regularly mistreats Blanche and prepares to revive her old act with hired pianist Edwin Flagg. When Blanche informs Jane she intends to sell the house, Jane correctly suspects Blanche will commit her to a psychiatric hospital once the house is sold. She removes the telephone from Blanche’s bedroom, cutting her off from the outside world.
During Jane’s absence, Blanche desperately drags herself down the stairs and calls her doctor for help. Jane returns to find Blanche on the phone and beats her unconscious before mimicking Blanche’s voice to dismiss the doctor. After tying Blanche to her bed and locking her in her room, Jane abruptly fires their housekeeper, Elvira, when she comes to work. While Jane is away, the suspicious Elvira sneaks into the house and attempts to access Blanche’s room. Concerned by the lack of a response, Elvira starts to remove the door’s hinge pins with a hammer. Jane returns home and reluctantly gives Elvira the key. As soon as Elvira enters Blanche’s room, Jane takes the hammer and kills Elvira. Edwin comes by the house, but Jane refuses to answer the door. That night, she uses Blanche’s wheelchair to move Elvira’s body to her car.
A few days later, the police call to tell Jane that Elvira’s cousin has reported her missing. Jane panics and prepares to leave, taking Blanche with her. Before they can go, an inebriated Edwin is escorted to the house by police, who leave him there. Upon discovering Blanche bound to her bed, Edwin flees and notifies the authorities. Jane, in a fit of infantile regression, takes Blanche to a beach where she sang as a child.
The next morning, the news of Elvira’s murder and Blanche’s condition is on the radio and the police are on the lookout. Weakened and near death, Blanche confesses to Jane that she caused her own accident. On the night in question, Blanche tried to run Jane over because she was angry at her drunken sister for mocking her at a party. Blanche’s spine broke when her car struck the gates outside their mansion, and she dragged herself in front of the car’s hood to stage the accident and frame Jane. Blanche took advantage of Jane’s shock and subsequent bender, concealing the real cause of the accident from her, which subjected Jane to a life of guilt, loneliness, and servitude.
Now aware of the truth, a saddened Jane responds, “You mean all this time, we could have been friends?” When Jane gets ice cream for herself and Blanche from a nearby refreshment stand, she is recognized by two police officers, who ask her to lead them to Blanche, attracting the attention of nearby beachgoers. Jane dodges the officers’ inquiry and dances before the crowd of curious onlookers. The officers find Blanche nearby and rush to save her.
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